_______________________________________________________________________
Area
II
(Choose one
category; each category will have introductory/theoretical/contextual material
to accompany the readings.)
A. 19th
Century British and American (Brackett)
Introductory Reading/Critical
Commentary (on reserve
after August 15):
467 – 475.
588 – 616.
Anthology of British Literature. 3rd ed.
1099 – 1122.
Beth Newman.
Electronic sources:
http://web.csustan.edu/english/reuben/pal/chap3/CHAP3.HTML
http://web.csustan.edu/english/reuben/pal/chap4/CHAP4.HTML
http://www.lang.nagoya-u.ac.jp/~matsuoka/19th-authors.html
Scholars
should locate and read brief biographies of each author.
Texts:
B. Modern
Literature: 1900-1945 (Wood)
Introductory Reading/Critical
Commentary:
Texts:
Introductory Reading/Critical
Commentary:
Texts:
________________________________________________________________________
Area
III
(Choose one
category; each category will have introductory/theoretical/contextual material
to accompany the readings.)
Introductory Reading/Critical
Commentary:
pp. 3-40.
Texts:
Introductory Reading/Critical Commentary:
(on reserve after August 15):
374.
Sewanee Review
116.4 (fall 2008): 605-611. ; available on EBSCOhost.
Uphaus, Robert W. “Jane Austen and Female
Electronic Resources:
http://libraries.mit.edu/humanities/WomensStudies/Culture2.html
http://digital.library.upenn.edu/women/
Scholars
should locate and read brief biographies of each author
Texts:
Introductory Reading/Critical
Commentary:
Texts:
________________________________________________________________
Writing Concentration Majors--English Comprehensive Exam Subject
Areas
You must
choose one category (A or B or C)
from EACH of the two Writing areas
and one category from the Literature
areas.
Area
I
(Choose one
category; each category will have introductory/theoretical/contextual material
to accompany the readings.)
A. Classical
Rhetoric (Donnelli)
Introductory
Reading/Critical Commentary:
·
Corbett,
Edward P.J., and Robert J. Connors, eds. “A Brief Explanation of Classical
Rhetoric.” Classical Rhetoric for the
Modern Student.
15-16.
·
Bizzell,
Patricia, and Bruce Herzberg, eds. Introduction. The Rhetorical Tradition:
Texts:
·
1. From Dissoi Logoi (Anon),
2. Gorgias (Plato),
3. Phadedrus
(Plato),
4. From Rhetoric (Aristotle),
5. From Institutes of Oratory (Quintilian).
o
1.
“The Five Canons of Rhetoric,”
2.
“The Three Kinds of
Persuasive Discourse,”
3.
“The Relevance and
Importance of Rhetoric for Our Times.”
B. Modern
and Postmodern Rhetoric (Atkinson)
Texts:
·
Walter
Ong, Orality and Literacy: Technologizing
the Word
·
·
Deborah
Tannen, You Just Don’t Understand: Men
and Women in Conversation
C.
Women’s
Rhetorical Tradition (Donnelli)
Introductory
Material/Critical Commentary:
·
Lunsford,
Andrea. Introduction. “On Reclaiming Rhetorica.” Reclaiming Rhetorica: Women in the Rhetorical Tradition.
Texts:
o
1. Encomium of Helen (Gorgias in Bizzell and Herzberg anthology),
2. “Biography of Aspasia” (Bizzell and
Herzberg)
3. From “Woman and Temperance” (Frances
Willard)
4. From “Professions for Women” and
“Women and Fiction” (Virginia Woolf)
o
1. “Daring to Dialogue: Mary
Wollstonecraft’s Rhetoric of Feminist Dialogics”
(Jamie Barlowe)
2. “Sojourner Truth: A Practical Public
Discourse” (Drema Lipscomb)
3. “Julia Kristeva: Rhetoric and the
Woman as Stranger” (Suzanne Clark)
_____________________________________________________________________________
Area
II
(Choose one
category; each category will have introductory/theoretical/contextual material
to accompany the readings.)
A. Theories
of Composing (Donnelli)
Introductory
Material/Critical Commentary:
·
Miller,
Susan, ed. Norton Anthology of Composition
Studies. Introduction.
Texts:
o
Unless
otherwise indicated, these readings are from Miller’s anthology, Norton Anthology of Composition Studies
1. Parker, William Riley. “Where Do
English Departments Come From?”
2. Foster, “What Are We Talking About
When We Talk about Composition?”
3. Fulkerson, Richard. “Four
Philosophies of Composition.”
4. Lunsford, Andrea, and Lisa Ede.
“Representing Audience.”
5. Miller, Susan, and Dawn Shepherd.
“Genre Analysis of the Weblog.”
6. Bartholomae, David. “Inventing the
University.” When a Writer Can’t Write:
Studies in Writer’s Block. Ed. Mike Rose.
7. Curzan, Anne and Michael Adams.
“Stylistics.” How English Works: A
Linguistic Introduction.
8. Sommers, Nancy. “Revision Strategies
of Student Writers and Adult Writers.” College
Composition and Communication 31.4 (1980): 378-88.
B.
Nonfiction Prose
(Ockerstrom)
Introductory
Material/Critical Commentary:
·
Lopate, Philip. “Introduction.” In The Art of the Personal Essay: An Anthology
from The Classical Era to the Present. Ed., Philip
Lopate.
Texts:
·
Montaigne, Michel, “Of Books.” In The Art of the Personal Essay. Ed.,
Philip Lopate.
· Suleri, Sara. “Meatless Days,” in The Art of the Personal Essay, p. 459-475.
· V. Woolf, “Street Haunting,” in The Art of the Personal Essay, p. 256-265.
·
Hampl, Patricia. I Could Tell You Stories: Sojourns in the
C. Autobiography
and Life Writing (Ockerstrom)
Introductory
Material/Critical Commentary:
Texts: